Mad Men Wiki
Tag: sourceedit
 
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| number = 10
 
| number = 10
 
| airdate = 18 October 2009
 
| airdate = 18 October 2009
| writer = [[Kater Gordon]]<br>[[Matthew Weiner]]
+
| writer = Kater Gordon<br>[[Matthew Weiner]]
| director = [[Michael Uppendahl]]
+
| director = Michael Uppendahl
 
| previous = [[Wee Small Hours]]
 
| previous = [[Wee Small Hours]]
 
| next = [[The Gypsy and the Hobo]]}}
 
| next = [[The Gypsy and the Hobo]]}}
   
  +
==Intro==
 
Betty discovers Don's cache of photographs, revealing his past life. Meanwhile, the arrival of the brother of Don's new mistress complicates Don's affair while Pryce is told that his boss is selling Sterling Cooper. At the end, Sterling Cooper celebrates its 40th anniversary.
 
Betty discovers Don's cache of photographs, revealing his past life. Meanwhile, the arrival of the brother of Don's new mistress complicates Don's affair while Pryce is told that his boss is selling Sterling Cooper. At the end, Sterling Cooper celebrates its 40th anniversary.
   
 
==Synopsis==
 
==Synopsis==
[[Don]] arrives early for dinner one evening but informs [[Betty]] that he won't be spending the night. "Betts, I don't have a choice," he says. "I see how hard you're working," she replies.
+
[[Don Draper]] arrives early for dinner one evening but informs [[Betty Hofstadt]] that he won't be spending the night. "Betts, I don't have a choice," he says. "I see how hard you're working," she replies.
   
Don drives to [[Miss Farrell]]'s apartment. "I want you to spend the whole night," she whispers. In bed, she describes a student who asked if everyone sees the color blue the same way. "People may see things differently," Don says, "but they don't really want to." Meanwhile, Betty reads ''[[wikipedia:The Group (novel)|The Group]]'' by Mary McCarthy while taking a bath.
+
Don drives to [[Suzanne Farrell]]'s apartment. "I want you to spend the whole night," she whispers. In bed, she describes a student who asked if everyone sees the color blue the same way. "People may see things differently," Don says, "but they don't really want to." Meanwhile, Betty reads [http://en.wikipedia.org/wiki/The_Group_(novel) "The Group"] by Mary McCarthy while taking a bath.
   
In his office the next day, Don objects that there's "too much story" in a television commercial [[Paul]] proposes. [[Peggy]] improvises a shorter narrative that Don approves.
+
In his office the next day, Don objects that there's "too much story" in a television commercial [[Paul Kinsey]] proposes. [[Peggy Olson]] improvises a shorter narrative that Don approves.
   
[[Lane]] arrives with a check: Don's signing bonus. A rare smile from Don amuses Lane, who says that Don will be the final speaker at the upcoming [[Sterling Cooper Advertising Agency]] anniversary party. He should be prepared for "prime time."
+
[[Lane Pryce]] arrives with a check: Don's signing bonus. A rare smile from Don amuses Lane, who says that Don will be the final speaker at the upcoming [[Sterling Cooper Advertising Agency]] anniversary party. He should be prepared for "prime time."
   
 
Paul berates Peggy for making him look bad by refining his idea. "Nobody's keeping score," she responds. "I am," he says. "You do your work. I'll do mine. Let the chips fall where they may."
 
Paul berates Peggy for making him look bad by refining his idea. "Nobody's keeping score," she responds. "I am," he says. "You do your work. I'll do mine. Let the chips fall where they may."
   
In Lane's office, [[Rebecca]] weeps, ostensibly over a cabbie cheating her, but really because she remains homesick for London. "You like it here," she accuses. "The smells and the noise and the criminals at every level."
+
In Lane's office, [[Rebecca Pryce]] weeps, ostensibly over a cabbie cheating her, but really because she remains homesick for London. "You like it here," she accuses. "The smells and the noise and the criminals at every level."
   
 
That night, Don and Miss Farrell make love but are interrupted by the arrival of her brother, Danny. Don dresses to leave, but Miss Farrell wants the two to meet. Danny says he's lost his job because he has epileptic seizures. Don wishes Danny well, but Danny calls him arrogant after he departs.
 
That night, Don and Miss Farrell make love but are interrupted by the arrival of her brother, Danny. Don dresses to leave, but Miss Farrell wants the two to meet. Danny says he's lost his job because he has epileptic seizures. Don wishes Danny well, but Danny calls him arrogant after he departs.
   
The next day, [[Roger]] and [[Cooper]] reminisce about their careers. Neither is looking forward to their company's fortieth-anniversary party. Roger loathes the thought of watching Don achieve an award "for his humanity." Likening the event to a funeral, Cooper says he won't attend.
+
The next day, [[Roger Sterling]] and [[Bertram Cooper]] reminisce about their careers. Neither is looking forward to their company's fortieth-anniversary party. Roger loathes the thought of watching Don achieve an award "for his humanity." Likening the event to a funeral, Cooper says he won't attend.
   
 
That night, the Drapers' phone rings. Sally answers, but no one responds.
 
That night, the Drapers' phone rings. Sally answers, but no one responds.
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Paul and Peggy work late in their offices on a concept for Western Union: When is a telegram more appropriate than a phone call? Paul drinks steadily as he works.
 
Paul and Peggy work late in their offices on a concept for Western Union: When is a telegram more appropriate than a phone call? Paul drinks steadily as he works.
   
At home, Don locks some cash in his desk drawer. Hearing [[baby Gene]] cry, he puts the drawer's key in his bathrobe pocket.
+
At home, Don locks some cash in his desk drawer. Hearing [[Eugene Draper]] cry, he puts the drawer's key in his bathrobe pocket.
   
 
Back at Sterling Cooper, Paul has a sudden brainstorm about Western Union while chatting with a custodian. Paul celebrates with another drink.
 
Back at Sterling Cooper, Paul has a sudden brainstorm about Western Union while chatting with a custodian. Paul celebrates with another drink.
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The next morning, Miss Farrell briefly boards Don's train. He asks if she called his house, and apologizes when she says no. "I don't care about your marriage, or your work, or any of that," she says. "As long as I know you're with me." She has found her brother a job at a VA hospital in Massachusetts, she adds. He'll be gone by evening.
 
The next morning, Miss Farrell briefly boards Don's train. He asks if she called his house, and apologizes when she says no. "I don't care about your marriage, or your work, or any of that," she says. "As long as I know you're with me." She has found her brother a job at a VA hospital in Massachusetts, she adds. He'll be gone by evening.
   
At the office, [[Lois]] wakes up Paul, who becomes frantic upon realizing that he neglected to write down his brainstorm.
+
At the office, [[Lois Sadler]] wakes up Paul, who becomes frantic upon realizing that he neglected to write down his brainstorm.
   
Lane's London bosses call. They're flying over for the party -- and, by the way, Sterling Cooper is for sale. Cooper's attendance is crucial, [[Saint John Powell]] says, "to encourage interest."
+
Lane's London bosses call. They're flying over for the party, and, by the way, Sterling Cooper is for sale. Cooper's attendance is crucial, [[Saint John Powell]] says, "to encourage interest."
   
 
Betty calls [[Henry Francis]] to inquire if he phoned her and hung up. He denies doing so and suggests that if she wants to talk, she needn't invent a pretext.
 
Betty calls [[Henry Francis]] to inquire if he phoned her and hung up. He denies doing so and suggests that if she wants to talk, she needn't invent a pretext.
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"Look how pretty mommy is," the tux-clad Don tells Sally and Bobby as the Drapers leave for the party that evening.
 
"Look how pretty mommy is," the tux-clad Don tells Sally and Bobby as the Drapers leave for the party that evening.
   
In a limo, Roger's mother confuses [[Jane]] with his daughter Margaret. Jane is his wife, says Roger. "Does [[Mona]] know?" his mother asks.
+
In a limo, Roger's mother confuses [[Jane Siegel]] with his daughter Margaret. Jane is his wife, says Roger. "Does [[Mona Sterling|Mona]] know?" his mother asks.
   
 
Lane, stuck in traffic with Rebecca, tells her Sterling Cooper is being sold. She's delighted.
 
Lane, stuck in traffic with Rebecca, tells her Sterling Cooper is being sold. She's delighted.
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*[[Embeth Davidtz]] as [[Rebecca Pryce]]
 
*[[Embeth Davidtz]] as [[Rebecca Pryce]]
 
*[[Christopher Stanley]] as [[Henry Francis]]
 
*[[Christopher Stanley]] as [[Henry Francis]]
*[[Abigail Spencer]] as Miss Farrell
+
*[[Abigail Spencer]] as [[Suzanne Farrell]]
 
*[[Charles Shaughnessy]] as [[Saint John Powell]]
 
*[[Charles Shaughnessy]] as [[Saint John Powell]]
 
*[[Peyton List]] as [[Jane Siegel]]
 
*[[Peyton List]] as [[Jane Siegel]]
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*[[Anthony Burch]] as Marty Faraday
 
*[[Anthony Burch]] as Marty Faraday
 
*Shannon Welles as Nellie
 
*Shannon Welles as Nellie
  +
  +
{{EpisodeList}}
 
[[Category:Season 3]]
 
[[Category:Season 3]]

Latest revision as of 22:05, 11 March 2017

The Color Blue
The colour blue
Production
Season 3 Episode 10
Air date 18 October 2009
Written by Kater Gordon
Matthew Weiner
Directed by Michael Uppendahl

Previous
Wee Small Hours
Next
The Gypsy and the Hobo

Intro

Betty discovers Don's cache of photographs, revealing his past life. Meanwhile, the arrival of the brother of Don's new mistress complicates Don's affair while Pryce is told that his boss is selling Sterling Cooper. At the end, Sterling Cooper celebrates its 40th anniversary.

Synopsis

Don Draper arrives early for dinner one evening but informs Betty Hofstadt that he won't be spending the night. "Betts, I don't have a choice," he says. "I see how hard you're working," she replies.

Don drives to Suzanne Farrell's apartment. "I want you to spend the whole night," she whispers. In bed, she describes a student who asked if everyone sees the color blue the same way. "People may see things differently," Don says, "but they don't really want to." Meanwhile, Betty reads "The Group" by Mary McCarthy while taking a bath.

In his office the next day, Don objects that there's "too much story" in a television commercial Paul Kinsey proposes. Peggy Olson improvises a shorter narrative that Don approves.

Lane Pryce arrives with a check: Don's signing bonus. A rare smile from Don amuses Lane, who says that Don will be the final speaker at the upcoming Sterling Cooper Advertising Agency anniversary party. He should be prepared for "prime time."

Paul berates Peggy for making him look bad by refining his idea. "Nobody's keeping score," she responds. "I am," he says. "You do your work. I'll do mine. Let the chips fall where they may."

In Lane's office, Rebecca Pryce weeps, ostensibly over a cabbie cheating her, but really because she remains homesick for London. "You like it here," she accuses. "The smells and the noise and the criminals at every level."

That night, Don and Miss Farrell make love but are interrupted by the arrival of her brother, Danny. Don dresses to leave, but Miss Farrell wants the two to meet. Danny says he's lost his job because he has epileptic seizures. Don wishes Danny well, but Danny calls him arrogant after he departs.

The next day, Roger Sterling and Bertram Cooper reminisce about their careers. Neither is looking forward to their company's fortieth-anniversary party. Roger loathes the thought of watching Don achieve an award "for his humanity." Likening the event to a funeral, Cooper says he won't attend.

That night, the Drapers' phone rings. Sally answers, but no one responds.

Paul and Peggy work late in their offices on a concept for Western Union: When is a telegram more appropriate than a phone call? Paul drinks steadily as he works.

At home, Don locks some cash in his desk drawer. Hearing Eugene Draper cry, he puts the drawer's key in his bathrobe pocket.

Back at Sterling Cooper, Paul has a sudden brainstorm about Western Union while chatting with a custodian. Paul celebrates with another drink.

The next morning, Miss Farrell briefly boards Don's train. He asks if she called his house, and apologizes when she says no. "I don't care about your marriage, or your work, or any of that," she says. "As long as I know you're with me." She has found her brother a job at a VA hospital in Massachusetts, she adds. He'll be gone by evening.

At the office, Lois Sadler wakes up Paul, who becomes frantic upon realizing that he neglected to write down his brainstorm.

Lane's London bosses call. They're flying over for the party, and, by the way, Sterling Cooper is for sale. Cooper's attendance is crucial, Saint John Powell says, "to encourage interest."

Betty calls Henry Francis to inquire if he phoned her and hung up. He denies doing so and suggests that if she wants to talk, she needn't invent a pretext.

Lane presents Cooper with several reasons to attend the party, finally succeeding by appealing to Bert's vanity: People will think he's ill if he doesn't.

Betty, doing laundry, discovers Don's key. Opening his drawer, she sees his money stash, along with the cardboard box containing Whitman family photos, the army dog tags of Richard Whitman and the real Don Draper, the deed to Anna Draper's house, and the divorce decree dissolving her marriage to Don.

That evening, Danny is still present when Don arrives at Miss Farrell's. She plans to drive Danny to Massachusetts, but Don, concerned about her returning alone late at night, says he will.

Betty, meanwhile, sits home alone, staring at Don's memorabilia box.

On their drive, Danny tells Don he has no intention of taking yet another menial job because just people don't understand epilepsy. Don pulls to the side of the road, offers Danny money and his business card, and lets him out of the car.

Don returns to Miss Farrell's. He lies about delivering Danny to the hospital, and then kisses her. "Don, I don't want to," she says. "It's okay," he replies.

At two in the morning, Betty returns the box to the drawer, places the key in Don's bathrobe, and goes to bed.

From his office the next morning, Don calls Betty about the party. She says she doesn't feel well, but he insists she rally. Everyone is "expecting me to show up with the glamorous, elegant, stunning Betty Draper," he says. "I want to show you off, Betts."

Before meeting with Don about Western Union, Paul confesses to Peggy that he had "something incredible" but can't remember it. He recalls a Chinese proverb: "The faintest ink is better than the best memory."

Peggy's ideas don't impress Don, who turns to Paul. Peggy encourages Paul to admit that he lost his idea. Don commiserates. Peggy gets Paul to repeat the proverb. The key to their telegram pitch is in there somewhere, she says. Don agrees. "See, it all works out," he tells Paul.

"Look how pretty mommy is," the tux-clad Don tells Sally and Bobby as the Drapers leave for the party that evening.

In a limo, Roger's mother confuses Jane Siegel with his daughter Margaret. Jane is his wife, says Roger. "Does Mona know?" his mother asks.

Lane, stuck in traffic with Rebecca, tells her Sterling Cooper is being sold. She's delighted.

At the party, Roger introduces Don, alluding to his heroism in Korea and calling him a friend and "the man who will stand alongside me for the next forty years." To extended applause, Don kisses Betty and steps to the podium. "I'm very honored," he says.

Cast

Main Star

Guest Star

Co-Star

Seasons of Mad Men
Season 1 • "Smoke Gets in Your Eyes" • "Ladies Room" • "Marriage of Figaro" • "New Amsterdam" • "5G" • "Babylon" • "Red in the Face" • "The Hobo Code" • "Shoot" • "Long Weekend" • "Indian Summer" • "Nixon vs. Kennedy" • "The Wheel" •
Season 2 • "For Those Who Think Young" • "Flight 1" • "The Benefactor" • "Three Sundays" • "The New Girl" • "Maidenform" • "The Gold Violin" • "A Night to Remember" • "Six Month Leave" • "The Inheritance" • "The Jet Set" • "The Mountain King" • "Meditations in an Emergency" •
Season 3 • "Out of Town" • "Love Among the Ruins" • "My Old Kentucky Home" • "The Arrangements" • "The Fog" • "Guy Walks Into an Advertising Agency" • "Seven Twenty Three" • "Souvenir" • "Wee Small Hours" • "The Color Blue" • "The Gypsy and the Hobo" • "The Grown-Ups" • "Shut the Door. Have a Seat" •
Season 4 • "Public Relations" • "Christmas Comes But Once a Year" • "The Good News" • "The Rejected" • "The Chrysanthemum and the Sword" • "Waldorf Stories" • "The Suitcase" • "The Summer Man" • "The Beautiful Girls" • "Hands and Knees" • "Chinese Wall" • "Blowing Smoke" • "Tomorrowland" •
Season 5 • "A Little Kiss, Part 1" • "A Little Kiss, Part 2" • "Tea Leaves" • "Mystery Date" • "Signal 30" • "Far Away Places" • "At the Codfish Ball" • "Lady Lazarus" • "Dark Shadows" • "Christmas Waltz" • "The Other Woman" • "Commissions and Fees" • "The Phantom" •
Season 6 • "The Doorway, Part 1" • "The Doorway, Part 2" • "The Collaborators" • "To Have and To Hold" • "The Flood" • "For Immediate Release" • "Man With a Plan" • "The Crash" • "The Better Half" • "A Tale of Two Cities" • "Favors" • "The Quality of Mercy" • "In Care Of" •
Season 7 • "Time Zones" • "A Day's Work" • "Field Trip" • "The Monolith" • "The Runaways" • "The Strategy" • "Waterloo" • "Severance" • "New Business" • "The Forecast" • "Time & Life" • "Lost Horizon" • "The Milk and Honey Route" • "Person to Person" •